Three days.
Tristan had been gone for nearly three days.
It was fortunate that he had bargained for an entire week, or else the deal would already be over.
On the bright side, Calla was no longer in a constant state of fear; it had worn itself out, replaced by a sort of tired numbness and resignation. She did whatever chores Baba Yaga asked of her (which weren’t as many or often as you might think, since Calla’s magic had covered the big ones right away), ate when she got the chance, fell asleep as soon as she went to bed, and in her spare time, she talked to Lars, or Xen. She thought about calling Morgan, but wasn’t sure she wanted to distress her too, and besides, she’d probably want to attempt a rescue somehow, and then she’d be in danger. Calla supposed she should be worried about how complacent she had become, but somehow she couldn’t bring herself to care.
That day, after she’d made Baba Yaga’s breakfast (porridge, with milk and a drop of honey inside) and watered the black sunflower, the witch surprised her by saying, “Today I need you to go to the lake nearby and pick some of the plants that grow along the edge.”
“To add to your cabinet?” Calla asked, feeling genuine curiosity.
The witch nodded and smiled. “Feel free to use the mortar to get there. And I’d recommend taking this is well.” She held out an enormous, bone-handled knife. Seeing Calla’s startled expression, she quickly added, “To cut the plants free more easily, of course.”
Which probably means that there’s something dangerous there.
Hesitantly Calla took the knife. “Any plants in particular?”
“Oh, just whatever you can find. But I’m particularly fond of the little white flowers.”
“Okay.” Calla retrieved the bag which she kept for gathering vegetables, and slung it over her shoulders.
“Thank you, myshka.* Try not to get wet.”
After Calla managed to move the mortar out onto the porch, she climbed inside, picking up the pestle in her left hand. How was she to do this? With the carpet, you just had to tell it where you wanted to go, and it went; but maybe this contraption only understood Russian or something. The best way to find out, she decided, was to try it.
“Up, please,” she commanded.
Nothing happened.
Experimentally, she waved the pestle back and forth against the outside, as if paddling a canoe. Much to her delight, the mortar wobbled, and then, as she paddled more vigorously, rose slowly (but with a steady increase of speed) into the air.
Once the mortar got going, Calla no longer needed to paddle quite so often. However, she occasionally had to use the pestle to steer, or to gain more altitude. Finally, when she was at maybe a mile above the ground, she back-paddled a little bit, struggling because the mortar didn’t want to cooperate, until it was hovering stationary in the air, and began to search for the lake Baba Yaga had talked about. Most of the area seemed to be either trees or meadows, but finally over eastward she saw a glimmering on the horizon which probably meant water. Turning so she was facing that direction, she steered the mortar that direction.
As it turned out, getting the mortar into the air was a lot easier than getting it down. The blasted contraption wanted to stay up, and she finally had to lean on the side until it tilted, pray that she wouldn’t fall out, and dig the pestle into the air to make it head for earth. If she stopped paddling for long, the mortar would start to tilt upward again. Every time she pushed it back toward earth, it almost seemed to be sulking.
I wonder if Baba Yaga has this much trouble with it? Seeing as it’s her, probably not.
Calla managed to maneuver the mortar until it was a foot above the ground; try as she might, it stubbornly refused to land. And, examining the dirty wet muck below, she couldn’t quite blame it. So she just climbed out, carrying the pestle and the bag, and told the mortar firmly, “Stay.”
The mortar bobbed up and down in the air, and she worried it wouldn’t heed her command (assuming it even understood it). Improvising, she conjured up a rope, and tied one end to a ring on the side of the mortar, and the other to a sturdy-looking tree. Ignoring the outraged way that she was being not-looked-at by her transportation, she moved down the bank until she was right by the lake, and began to cut as many different plants as she could.
She didn’t know most of the names, just what things looked like-the white flowers Baba Yaga had mentioned, a few types of weeds, some grasses and mosses, and a plant covered in thorns that made her fingers bleed, but that she thought the old witch might especially like. Slowly, the bag started to become full. Calla was just about to finish up and climb back into the mortar-when there was a splash out in the middle of the lake. A big splash.
Naturally, the noise piqued the girl’s curiosity. She jerked her head up, and peered out at the water. All she could see were large ripples, so she finally dismissed it as just a fish of some kind, and went back to sawing through a particularly stubborn specimen of bladderwort. And of course, about thirty seconds later there was another splash, closer this time. In fact, it was about four feet away from the bank. Calla felt in her bones that something was there now, watching her.
In most stories, someone in this situation would walk right up to the side of the lake and peer in the water, trying to ascertain what was making the splash, and offering a perfect opportunity for the creature lurking just under the surface to leap up and pull them in. Calla, not being one of those people, instead tried to do the sensible thing, which was to turn away and start walking back to where she had left the mortar. So it was just bad luck that the creature happened to have a lasso, and so Calla had not gone two feet away when her arms were suddenly pinned to her sides, causing her to drop the bag, and she was being pulled off balance, seized in a pair of slimy webbed hands, and dragged into the lake by an unseen force.
*Little mouse; a term of endearment in Russian culture
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